Abstract of Dynamic Range: When Game Design and Narratives Unite


Arsenault Dominic
2005 DiGRA '05 - Proceedings of the 2005 DiGRA International Conference: Changing Views: Worlds in Play

As the clash between Game and Narrative rages on, many attempts to unite the two make their way. As heir of this tradition of reconciliation, the Dynamic Range is a tool brought forth to examine how different game systems can give freedom to the players. In its present state, I am going to use it as a compass to pinpoint the close relationship between game design and narratives, and perhaps understand how such a union can be successful.

 

New Design Methods for Activist Gaming


Flanagan Mary Howe Daniel C. Nissenbaum Helen
2005 DiGRA '05 - Proceedings of the 2005 DiGRA International Conference: Changing Views: Worlds in Play

Significant work in the gaming and HCI communities has focused on systems that support human values such as privacy, trust, and community. Designers and engineers have become increasingly aware of ways in which the artifacts they create can embody political, social, and ethical values. Yet there has been little work toward producing practical methodologies that systematically incorporate values in the design process. This paper is aimed at introducing systematic methods for the iterative discovery, analysis, and integration of values into the work of game designers and technologists. It is our hope that such work will shed light on the benefits and challenges of employing a values-oriented approach across a variety of design contexts.

 

Designing Games to Effect Social Change


Swain Chris
2007 DiGRA '07 - Proceedings of the 2007 DiGRA International Conference: Situated Play

Serious games, persuasive games, news games – these are all terms used for games which let players gain an experiential understanding of real world issues through play. Many in this growing class of games deal with social causes; recent examples include Peacemaker, about solving Middle East peace, The Redistricting Game, about congressional redistricting and redistricting reform, and the online game series published by the New York Times that includes Food Import Folly (which is about the FDA limited inspection policy on U.S. food imports). The field has a number of good examples that let users learn about social issues, however, to date, the field is short on examples of games that achieve measurable results in the real world. This paper addresses issues of design, theory, and activism pertaining to games about social causes. The author is an experienced designer and scholar who deals with all three of these issues in his work. Here is an outline of best practices for designing games to affect social change. Each is discussed in detail below: 1. Define intended outcomes 2. Integrate subject matter experts 3. Partner with like-minded organizations 4. Build sustainable community 5. Embrace “wicked problems” 6. Maintain journalistic integrity 7. Measure transference of knowledge 8. Make it fun

 

The things we learned on Liberty Island: designing games to help people become competent game players


Oliver Martin Pelletier Caroline
2005 DiGRA '05 - Proceedings of the 2005 DiGRA International Conference: Changing Views: Worlds in Play

The relationship between games and learning has, predominantly, either treated games as potential educational content or only considered the social contexts of learning from games at a general level. A methodology has been developed that permits the detailed analysis of how people learn from particular instances of game play. This is used to study two approaches to playing Deus Ex, one involving the training level and one neglecting this. The study reveals what players learnt, the playing strategies they developed, the way in which these strategies evolved and also how previous experience was transferred to this new context. Conclusions are drawn about the value of training levels and the importance of designing games in a way that recognizes previous gaming experience. The study also has implications for defining game genres, for decisions about the inclusion of design features such as quick saves and for the design of AI scripts.