The other game researcher: participating in and watching the costruction of boundaries in game studies

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Copier Marinka
2003 DiGRA '03 - Proceedings of the 2003 DiGRA International Conference: Level Up

Game researchers are busy doing game studies: researching, writing and publishing articles, organizing conferences and creating a curriculum. I will argue that creating a new autonomous discipline such as game studies mainly involves constructing boundaries on different levels. In this article I would like to discuss how we can watch and analyze where and how these boundaries are being constructed, while realizing that I am also participating in this process. I mainly focus on the construction of borders between game studies and other disciplines and the ways in which a line is being drawn between game researchers, game designers and gamers. I will argue that Donna Haraway’s concept of situated knowledge can help us to realize where and how knowledge is being produced. I will claim we have to look into the empirical situation of game research in order to see that we all produce knowledge from a certain (hybrid) position and perspective.

 

Role-Playing Games: The State of Knowledge [Panel Abstracts]

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Drachen Anders Copier Marinka Montola Markus Eladhari Mirjam Hitchens Michael Stenros Jaakko
2009 DiGRA '09 - Proceedings of the 2009 DiGRA International Conference: Breaking New Ground: Innovation in Games, Play, Practice and Theory

Role-playing games form one of the major genres of games and exist across all hardware platforms as well outside of the technology domain in a huge variety of forms and formats. Role-playing oriented research has focused on culture, storytelling, game processes as well as e.g. user interaction, play experience and character design. Today role-playing games research is an established component of game studies. This panel presents a state of the art of the knowledge of role-playing games research covering a great variety of angles and interests, providing an overview of the current hot topics and future research directions within one of the key genres of games.

 

Connecting Worlds. Fantasy Role-Playing Games, Ritual Acts and the Magic Circle

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Copier Marinka
2005 DiGRA '05 - Proceedings of the 2005 DiGRA International Conference: Changing Views: Worlds in Play

From a cultural history and game theoretical perspective my work focuses on the relationship between the fantasy subculture, fantasy role-playing games and the daily life of their participants in the Netherlands. Main research themes are the construction of game/play space and identities. Within this context I elaborate in this paper on the usefulness of the term magic circle (Johan Huizinga). I will argue why in game research the current use of the term magic circle is problematic. We can understand the term differently when returning to the context in which Huizinga introduced the magic circle as ritual play-ground. According to him ritual is play and play is ritual. Referring back to his work Homo Ludens (1938) I will discuss the various relationships between role-play and ritual performance. I will argue that fantasy role-playing consists of collections of performances or ritual acts, in which players construct the game/play space, identities and meaning.